This Filipino American Life shorts program recommendations!
The Los Angeles Asian Pacific Film Festival continues to highlight talented short filmmakers and storytellers. A few short films that shouldn’t be missed are Just A Kid From Seattle, Fakeapino, Limboland, and Aswang Next Door.
If you are looking for one shorts program to check out, TFAL recommends The No Spin Zone. Filipino/Filipino American Short Films included in this program include The Duwende, Killings, and Your Mother.
THE NO SPIN ZONE, Downtown Independent, May 5, 2018 9:00 pm: BUY TICKETS
While working far from home to make ends meet, Boyet is called back to his family in rural Philippines after his young daughter Abby goes missing. His distraught wife, Tata, believes their child was taken by the duwende, a mythical creature from Filipino folklore that steals children from their homes.
Odin B. Fernandez is a filmmaker from Quezon City, Philippines and currently based in Melbourne, Australia. He has been in the film production industry in various capacities for more than a decade. In 2016, he graduated with a Master’s degree in Film and Television from the Victorian College of the Arts, University of Melbourne. His graduate film received the Best Production Script at the 2016 VCA Film and TV Graduate Awards.
Through a series of killings, PATAYAN examines the wearisome violence plaguing the country and questions the amalgam of murder with impunity, along with the public’s apathy for the dead. Without narrative or characterization, choosing only to depict the act of killing itself, the film confronts the violence head on.
Joseph Mangat is a filmmaker born in Manila, Philippines and based in Brooklyn, New York. He received his BA in Visual Arts at the University of California, San Diego. He holds a MA in TV, Film and New Media from San Diego State University. His short films have screened at multiple festivals and showcases. He is currently finishing his first feature documentary film, HOLY CRAFTS.
Follow Ana, a housemaid in Manila, and her quiet resilience as she is hassled by the family she has come to care for. While she is desperate to send more money to her mom, her job is jeopardized when her employer’s children’s desire for her go too far.
Mary is an NYC based filmmaker. She blurs the lines between personal drama, fantasy, and fiction ever since she got a hold of her first 16mm camera as a teenager. She received her MFA at NYU for Writing and Directing where she was the recipient of the prestigious Tisch Graduate Fellowship for Cinematography. With her work, she pursues distinct and transformative stories full of bullish heart and levity.